On the Aesthetic Core and Contemporary Translation of Ceramic Art Creation from the Perspective of China’s Traditional View of Nature
The traditional view of nature in China is the unity of man and nature, and Taoism is natural. It is deeply rooted in the philosophy system of Confucianism, Taoism and Zen, and has always led the aesthetic orientation of ceramic art creation for a long time. Because of the natural properties of soil, fire, and water, ceramic art has become the material carrier that can best represent traditional natural aesthetics. In this paper, the aesthetic core of the traditional view of nature in ceramic creation is comprehensively sorted out, and the aesthetic logic of traditional ceramic art is analyzed from multiple dimensions. Combined with the realistic dilemma of contemporary ceramic art creation, this paper explores the contemporary translation path of traditional natural aesthetics from symbol reproduction to spiritual internalization, in order to provide a reference for contemporary ceramic art to tap the roots of local culture and build a creative language with oriental characteristics.
[1] Li LL, Wu B, 2022, The Nationality of Contemporary Ceramic Art in China in the Context of Globalization. Journal of Ceramics, 31(2): 352.
[2] Wang WC, 2023, Review on the Study of “Artistic Conception” in the Context of Globalization. Journal of Shandong University (Philosophy and Social Sciences Edition), 2023(6): 30.
[3] Liu MS, 2020, China’s “modern pottery” aesthetic issues, thesis, Shandong University.
[4] Huang HY, Han XC, 2019, National Identity and International Vision of Modern Ceramic Art. Journal of Ceramics, 40(4): 550.
[5] Qi B, 2020, Interpretation of “Modern Ceramics”. Art Watch, 2020(6): 82.
[6] Liu YR, 2024, “Modernity” is not the Opposite of “Tradition”: The Development of Modern Ceramic Art in the Context of China. Art Review, 2024(8): 120.
[7] Ouyang XS, Zhang GL. “Ceramic Art Review” In Cultural Self-confidence. Journal of Ceramics, 40(1): 103.
[8] Xu ZM, 2024, On the Localization Strategy of Contemporary China Ceramic Art. China Ceramics, 50(6): 88.
[9] Xu JM, 2022, Occasional Factors in Ceramic Creation. Decoration, 2020(12): 107.
[10] Yuan H, Rui W, 2022, Analysis of the Aesthetic Value of Modern Ceramic Art in China. Art Watch, 2022(12) :6.
