Volume 4,Issue 9
A Vocal Performance Analysis of the Art Song “Xiangjian Huan: Spring’s Red Blossoms Have Faded”
The art songs of ancient poetry have produced numerous excellent works in contemporary music creation. With the advancement of creative ideas, higher requirements have been put forward for singing techniques and artistic expression. This paper takes “Xiangjian Huan: Spring’s Red Blossoms Have Faded” as an example, from the perspective of the integration of words and songs, combs through the emotional core and creative intention of the original words, explores the artistic conception construction and musical language of the work, and then makes a deep analysis of the articulation, breath application, intensity processing, and emotional expression in singing, aiming to accurately grasp the singing skills and style characteristics of the works in the singing of ancient poetry and art songs.
[1] Wang GW, 2024, A Talk on Ci Poetry. Huacheng Publishing House, Guangzhou.
[2] Luo X, 2014, Appreciation and Research Review of “Xiang Jian Huan” (Lin Hua Xie Le Chun Hong). Journal of Chinese Language and Literature, 2014(20): 57–58.
[3] Wang YJ, 2023, Artistic Characteristics and Vocal Expression of the Classical Poetry Art Song “Xiang Jian Huan: Lin Hua Xie Le Chun Hong”, thesis, Central China Normal University.
[4] Huang L, 2020, A Study on the Performance of Art Songs Based on Classical Chinese Poetry, thesis, China Conservatory of Music.
[5] Yao B, 2024, On the Musical Characteristics and Performance Experience of the Art Song “Xiang Jian Huan: The Forest Flowers Have Faded, Spring’s Red Is Gone”, thesis, Northwest Minzu University.
