ARTICLE
30 June 2026

Culture of the Body, Wordless Utterance: The “Activation” of Traditional Chinese Culture in Dance

Wenxi Chen1
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1 Jimei University, Xiamen 361021, Fujian, China
CAS 2026 , 2(3), 106–111; https://doi.org/10.26689/CAS.v2i3.16141
© 2026 by the Author(s). Licensee: Bio-Byword Scientific Publishing Pty Ltd, Australia. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

China’s excellent traditional culture is the spiritual root of the Chinese nation. It carries national values, aesthetic ideals and collective memory. Dance is a performing art based on the human body. So dance has become an important carrier of traditional culture. It inherits, transforms and activates traditional culture through body language. The so-called “activation” is not a simple copy of traditional cultural symbols. It is not a static display either. It is a way to take apart traditional resources and build them again in today’s art context. In this way, traditional resources get new meaning in our time. This article starts with body culture. It analyzes three dimensions: movement form, dynamic image and spiritual core. It shows how dance awakens traditional culture through the body. It also explores how traditional culture changes in today’s dance creation.

Keywords
Body culture
Traditional culture
Dance art
Activation
Body narrative
References

[1]   Langer SK, 1986, Emotion and Form. Beijing: China Social Science Press. (Translated by Liu Daji, Fu Zhiqiang and Zhou Faxiang).

[2]   Yu P, 2019, The Value of “Shenyun” and the Academic Framework of Chinese Classical Dance. Journal of Beijing Dance Academy, 2019(2): 6–16.

[3]   Yu P, 2025, Reflections on the New Ideas for Building the “Dunhuang Dance” Discipline from the 2025 Edition of “Silk Road Flower Rain”. Journal of Dance, 2025(6): 29–39.

[4]   Liu J, 1999, Discussion on the Communicative Function of Dance Costumes and Props. Journal of Beijing Dance Academy, 1999(3): 39–45, 53.

[5]   Yuan H, 2011, Chinese Dance Aesthetics. Beijing: People’s Publishing House.

Conflict of interest
The author declares no conflict of interest.
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