ARTICLE
Volume 8,Issue 8
10 March 2025
Analysis of the Style Characteristics of Fujian Nanyin and Minnan Folk Dance
Meigui Huang
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1
Zhejiang Yuexiu University, Zhejiang 312000, China,
ssr 2025 , 7(2), 31–35;
https://doi.org/10.26689/ssr.v7i2.9703
Abstract
Music and dance are interdependent and develop jointly within the realm of art. Nanyin, a distinctive musical form in Quanzhou, Fujian, and folk dance have been closely linked and developed together throughout history. At the beginning of this article, the concepts of Fujian Nanyin and folk dance are respectively explained, with an emphasis on exploring their individual and common stylistic features demonstrated during their closely related development processes.
References
Xiao D, 2011, The Style Characteristics of Nanyin and Minnan Folk Dance. Journal of Beijing Dance Academy, 2011(4): 107–111.
Lin RZ, 2013, On the Historical Characteristics of Fujian Folk Dance. Journal of Yangtze University (Social Science edition), 2013(2): 181–182.
Li X, 2012, Analysis of the Current Status and Future of Quanzhou Nanyin. Literary Circle (Theoretical Edition), 2012(11): 163–164.
| Zhou Y, 2012, The Charm of Fujian Nanyin. Democracy, 2012(11): 36–38.
Bai ZY, 2012, Research on the Musical Form of Nanyin Music. Journal of Yangtze University (Social Science Edition), 2012(10): 175–177.
Lin SW, 2007, From Regional to National: On the Unique Personality and Development of Fujian Folk Dance. Art Garden, 2007(8): 24–26.
Li L, 2012, On Fujian Folk Dance. Popular Literature and Art, 2012(10): 86–87.
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