Location Influencing the Artistic Value

This paper stems from an artistic experiment, in which a distinguished violinist received completely different prices for performing in varying locations. This may be due to the difference in the performance locations, and the value of art in the heart of the audience.

References

Jiang G, 2022, Position is not Value. Leadership Wenhui, 2022(4): 122–123.

Jin X, 2012, Analysis of Consumers’ Cognition of the Price of Art Products. Journal of Jilin Provincial Institute of

Education (Early), 28(02): 133–134. http://doi.org/10.16083/j.cnki.1671-1580.2012.02.006.

Jie N, 2022, Deep Thoughts on Art. Democracy, 2022(04): 48–51. http://doi.org/10.19402/j.cnki.zgmz.2022.04.012.

Zhang G, 2020, From the Commercialization of Artworks to See the Transformation of its Artistic Value. Jingu

Wenchuang, 2020(22): 45–46. http://doi.org/10.20024/j.cnki.cn42-1911/i.2020.22.019.

Zheng H, 2020, Separation and Equality of Aesthetic Taste, dissertation, Fujian Normal University. http://doi.

org/10.27019/d.cnki.gfjsu.2020.002098.

Zhang K, 2017, Reflections on the Current Social Art Value Theory and Art Status Quo——Enlightenments from

Reading Danner’s “Philosophy of Art.” Northwest Fine Arts, 2017(02): 10–12. http://doi.org/10.13772/j.cnki.61-1042/

j.2017.02.005.

Wang F, 2018, Talking About the Position, Influence, and Interaction of Artists in the Art Market. China National

Expo, 2018(01): 52–53.

Shi Z, 2008, The Value of Art is Not Equal to the Price of Art. Digital Photography, 2008(01): 36–37.

Lu W, 2007, Principle Analysis of the Value of Art Products, Journal of Ningxia University (Humanities and Social

Sciences Edition), 2007.

Zheng C, 2023, Quan: From Ingres to Duchamp, How is the Boundary of Art Broken? Art Appreciation, 2023(10):

–119.

Yuan B, 2023, Changes in Artistic Concepts from “Brillo Box”. Footwear Technology and Design, 3(11): 117–119.

Liu R, 2018, Research on Arthur Danto’s Aesthetic Thought, dissertation, Heilongjiang University. http://doi.

org/10.27123/d.cnki.ghlju.2018.000024

Yu H, 2017, Changes in Artistic Concepts from the Comparative Analysis of “Spring” and “Brillo Box.” Art Review,

(17): 182–183.

Previous article in this issue

Next article in this issue