ARTICLE
30 June 2026

A Study on the Redesign and Revitalization of Visual Symbols in Intangible Cultural Heritage Crafts from the Perspective of Digital Media

Yangyang Song1 ,  Yixiang Wang1
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1 School of Art and Design, Tianjin University of Science and Technology, Tianjin 300222, China
CAS 2026 , 2(3), 184–189; https://doi.org/10.26689/CAS.v2i3.16151
© 2026 by the Author(s). Licensee: Bio-Byword Scientific Publishing Pty Ltd, Australia. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

Against the backdrop of rapid development in digital media, new media has opened up new avenues for the dissemination of intangible cultural heritage (ICH) crafts. However, it has also exposed practical challenges such as the inherent weakness of transmission and the digital divide faced by practitioners. Furthermore, some revitalization efforts have given rise to issues such as superficial appropriation of symbols and the erosion of cultural significance. This paper adopts a digital media perspective, focusing on the visual symbols of intangible cultural heritage crafts as its research subject. Employing methods such as literature review, semiotic analysis, and case studies, it explores approaches to the graphic redesign of visual symbols across three dimensions—fundamental principles, semiotic deconstruction, and graphic reconstruction—and further examines implementation pathways such as the digitization of visual materials and the establishment of online dissemination channels. By translating traditional visual symbols through graphic redesign and leveraging digital media to promote the living transmission of intangible cultural heritage crafts, this study aims to provide design references for similar innovation practices in the field of intangible cultural heritage crafts.

Keywords
Intangible cultural heritage crafts
Digital media
Visual symbols
Living heritage revitalization
References

[1]   Liang S, Zhou M, Zhou C, et al., 2022, The Seriousness and Entertainment Value of the Sustainable Development of Intangible Cultural Heritage. Furniture and Interior Decoration, 29(4): 50–54.

[2]   Wu X, 2019, The Future of Handicrafts: A Case Study of the Silver Forging Techniques of Leishan, Guizhou. Decoration, 2019(9): 114–116.

[3]   Zhang Y, Yang X, 2022, The Cultural Composition and Design Transformation of Intangible Cultural Heritage Crafts in the Context of the Integration of Culture and Tourism. Art Hundred, 38(6): 130–137.

[4]   Xiao B, Sun Q, 2023, The Reproduction of the Modern Significance of China’s Outstanding Traditional Culture: A Study Based on the Preservation Practices of Intangible Cultural Heritage in the Field of Handicrafts. Learning and Practice, 2023(11): 131–140.

[5]   Shan J, Mao L, 2025, A Discussion on the Industrialization Pathways for Intangible Cultural Heritage in Ethnic Minority Handicrafts: A Case Study of Tu Ethnic Group Embroidery in Qinghai. Journal of Ethnology, 2025(2): 108–117.

Conflict of interest
The authors declare no conflict of interest.
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