ARTICLE
30 June 2026

From Orchestral Positions to Specialized Training: The Institutionalization of the Double Bass in Modern Shanghai

Jianmeng Li1 ,  Cheng Pu1 ,  Wanting Guo2*
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1 Ignacy Jan Paderewski Academy of Music in Poznań (Akademia Muzyczna im. I. J. Paderewskiego w Poznaniu), Poznań 61-808, Poland
2 WSB University, Dąbrowa Górnicza 41-300, Poland
© 2026 by the Author(s). Licensee: Bio-Byword Scientific Publishing Pty Ltd, Australia. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

Taking Shanghai as its principal case, this article examines how the double bass acquired identifiable positions in professional orchestras and specialized music education from the 1930s through the 1950s. Orchestral development from late nineteenth-century Shanghai provides the institutional background; materials from the Central and Sichuan conservatories serve only as comparisons or later extensions. Using a document-based historical approach, the study evaluates concert programs, education and admissions documents, archival publications, institutional histories, specialist research, and performers’ recollections according to their evidentiary limits. The evidence shows that Shanghai's professional orchestral environment provided named double-bass positions and conditions for professional practice. A 1934 record places the instrument in activities organized by the National Music Institute, while a student case beginning in 1943 documents specialized technical instruction, orchestral-part study, and ensemble training. The Central Conservatory’s 1950 education plan separately demonstrates formal curricular inclusion at another institution. Later cases trace conservatory-trained musicians entering orchestras, performers taking teaching posts, and musicians returning to teach after interinstitutional study. Two relationships are most clearly supported. Teachers who worked across orchestras and conservatories brought professional materials and experience into instruction. Different training arrangements addressed learners with distinct occupational backgrounds, while interinstitutional study created a separate route of teacher succession. These findings identify connected components of institutionalization rather than a continuous national system. Available sources do not establish the annual continuity of posts, curricula, or graduate pathways, but they show how orchestral practice, specialized training, and teacher succession acquired local institutional support in the Shanghai-centered cases examined here.

Keywords
Double bass
Shanghai music history
Professional orchestra
Specialized music education
Institutionalization
Personnel continuity
References

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Conflict of interest
The authors declare no conflict of interest.
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