ARTICLE
26 July 2026

Integrating Museum Collections into Art and Design Education: A Collection-to-Design Learning Framework

Yang Liu1
Show Less
1 Lanzhou Resources & Environment Voc-Tech University, Lanzhou 730000, Gansu, China
LNE 2026 , 4(7), 33–39; https://doi.org/10.26689/LNE.v4i7.15944
© 2026 by the Author. Licensee: Bio-Byword Scientific Publishing Pty Ltd, Australia. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution 4.0 International License ( https://creativecommons.org/licenses/by/4.0/ )
Abstract

Museum collections can support art and design learning beyond the role of visual reference, but classroom use often remains episodic: students visit, photograph, select familiar elements, and move quickly into production. This paper uses a focused narrative synthesis of object-based learning, museum education, and design pedagogy to identify four recurrent discontinuities: unfocused observation, weak links to studio briefs, surface-level reuse of cultural forms, and assessment centered on final outcomes. It proposes a six-stage Collection-to-Design Learning Framework comprising task framing, object encounter, analytic decomposition, contextual interpretation, transformation trials, and critique and assessment. An evidence-to-design matrix links collection evidence to student activity and process evidence. The framework is a course-planning scaffold rather than a validated model; its purpose is to make the connection between source study and design decisions more visible across art and design disciplines.

Keywords
Museum collections
Art and design education
Object-based learning
Studio pedagogy
Visual literacy
References

[1] International Council of Museums (ICOM), 2022, Museum Definition. International Council of Museums, viewed July 4, 2026, https://icom.museum/en/resources/standards-guidelines/museum-definition/

[2] Cook B, Reynolds R (eds.), 2010, Museums and Design Education: Looking to Learn, Learning to See. Routledge, London.

[3] Reading C, 2009, Sources of Inspiration: How Design Students Learn from Museum Collections and Other Sources of Inspiration. Art, Design & Communication in Higher Education, 8(2): 109–121. https://doi.org/10.1386/adch.8.2.109/1

[4] Chatterjee HJ, Hannan L (eds.), 2015, Engaging the Senses: Object-Based Learning in Higher Education. Routledge, London.

[5] Reiley K, DeLong M, 2023, The Student Learning Experience: A Case Study in Object-Based Learning. Clothing and Textiles Research Journal, 41(1): 57–70. https://doi.org/10.1177/0887302X221131035

[6] Cheung JMY, Thogersen J, Guerry E, et al., 2024, Educating Pharmacy Students with Museum Collections - A Case for Object-Based Learning. Journal of Museum Education, 49(3): 377–385. https://doi.org/10.1080/10598650.2023.2282306

[7] Hinton M, 2012, What Do Art and Design Students Draw at the V&A, and Why? Art, Design & Communication in Higher Education, 11(1): 33–47. https://doi.org/10.1386/adch.11.1.33_1

[8] Willcocks J, 2015, The Power of Concrete Experience: Museum Collections, Touch and Meaning-Making in Art and Design Pedagogy, in Chatterjee HJ, Hannan L (eds.), Engaging the Senses: Object-Based Learning in Higher Education. Routledge, London, 43–56.

[9] German SC, 2024, Object-Based Teaching in Post-Pandemic Higher Education in the US. Journal of Museum Education, 49(3): 386–394. https://doi.org/10.1080/10598650.2023.2283825

[10] Rislow M, Nelson A, 2020, Artist Files and Art Students: Expanding Audience Through Collaboration Between an Art Museum Library and a Contemporary Art History University Course. Journal of Museum Education, 45(2): 166–175. https://doi.org/10.1080/10598650.2020.1732117

[11] Barton G, Willcocks J, 2017, Object-Based Self-Enquiry: A Multi- and Trans-Disciplinary Pedagogy for Transformational Learning. Spark: UAL Creative Teaching and Learning Journal, 2(3): 229–245. https://sparkjournal.arts.ac.uk/index.php/spark/article/view/75

[12] Arriaga A, Aguirre I, 2020, Museum-University Collaboration to Renew Mediation in Art and Historical Heritage: The Case of the Museo de Navarra. Arte, Individuo y Sociedad, 32(4): 989–1008. https://doi.org/10.5209/aris.66295

[13] Noble K, 2021, Getting Hands On with Other Creative Minds: Establishing a Community of Practice Around Primary Art and Design at the Art Museum. International Journal of Art & Design Education, 40(3): 615–629. https://doi.org/10.1111/jade.12371

[14] Tam CO, Hui CKY, 2024, Teaching Visual Arts Using Virtual Exhibitions: An Investigation of Student Usage and Impact on Learning. Studies in Art Education, 65(3): 371–387. https://doi.org/10.1080/00393541.2024.2355728

Share
Back to top